Friday, November 25, 2011

Straight vs Extending

What do you see when you see a good* ballet dancer? Wait! It’s a trick question. Kind of like one of those black and white pictures (a Rubin vase)  that could be a vase if you look at the white parts and a pair of people’s profiles if you look at the black parts of the image. When you look at the limbs of a ballet dancer, do you see the straight lines, or do you see the stretching and extending?

*Note, I said “good” ballet dancer, because this difference of what you see makes a big impact on how you dance and what the final result is. This difference is probably one of the most misunderstood parts of dancing.

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(image by Bryan Derksen, Wikimedia Commons license)

Straight is a static description, it’s not moving. There are many ways to create straight lines with the body, but few that are healthy for the joints. Humans are not robots. Without proper training for how to make straight through extending and stretching, the straight lines people produce in their bodies are stiff, awkward, weak, and have a slight tinge feeling of “gosh that looks unhealthy”. Often students will lock their knees, lock their elbows, popup their shoulders, or stick out their hip just to “make a line”.

If we get that same straight line by stretching and extending we get a different look. With the arms, shoulders pull back into the body. (Have you ever had a ballroom instructor or ballet instructor tell you to lower your shoulders? Can you picture the beginning ballet dancer with their shoulders way up by their ears when their arms are up?) With the legs, the hips stay more stabilized underneath the torso instead of popping out the the side or the front. (Have you seen people walk and they have to swing their hips all over the place to just extend their legs? Or that awkward looking hip popped out to the side tendu?)

So, here’s part of the problem. Forcing the lines with out extension is unhealthy for the body. It causes stresses on joints in odd directions that the body can’t support. It’s one of the reasons that it looks “awkward”. Sometimes to the confusion of someone looking at it – “it’s a straight line and that’s nice, but it still looks awkward, but it’s straight, but it’s odd, it kind of looks like what the good dancers are doing, but it’s different…”.

Doing it nicely with extension and stretch is more work. We have a sedentary society and all that sitting and lack of exercise really works to misbalance the muscle groups in the body. To a point that many people just starting out dancing can’t actually get to the true healthy straight line of the arm or leg. Usually the shoulder or the hip socket is too tight to actually straighten the arm or leg with out pulling against it in a healthy position. Then, as a teacher you have to take time to strengthen the right muscles (latissimus dorsi, serratus, psoas, periformis, etc) which, once strengthened, allow the arm or leg to freely straighten. And there plenty of good exercises in yoga, ballet, modern dance, weight lifting, and many other areas to help with that.

There are plenty of groups out there (especially in ballet and ballroom dancing) that just focus on the line and not the healthy extension and stretch, to the point where they are mocked about it. One of the dancers I knew went to a Lindy Hop Swing lesson and the teacher started mocking them about being in Ballroom and that they just do “Lines” and then proceeded to dancing all mockingly “oh, I’m doing a line here, I’m doing a line here.” And then on the other flip side of the coin, I’ve heard one (kind of arrogant) ballroom dancer (big into doing fake unhealthly lines) say that Lindy was for sloppy dancers.

And it’s kind of sad. Two different groups both kind of right (straight lines are good and nice too look at artistically, and straight lines done poorly looks awkward and is unhealthy). But neither of them seeing the full pictures and realizing both are right. Both could learn from each other but both just fighting each other.

So, be open minded. Start to see the full picture. Take some time to just observe dancers. Are they “doing lines” or are they stretching and extending to get to, to reach, to perhaps not quite even get there for their movements? Get on the internets and watch some youtube videos.

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